Volume 13: Ambition


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Our field, and perhaps every field, is defined by ambition. To know ourselves we have to know ambition. But ambition is far from simple. It is never straightforward, never the singular drive it appears to be. Rather, it is a set of interacting forces in which often the means are mistaken for ends. This issue of Volume on Ambition offers a preliminary map of what has become a landscape of misguided purpose.

Ambition is not the drive for personal gain. Elizabeth Diller reminds us in her contribution, ‘Mediagenics’, that it is reductive to think of ambition as the raw determination to achieve power or fame. To have ambition is to have also a particular goal. However, this goal is difficult to ever know. What is disclosed by the ambitious is merely the objective to attain a desired position or status, but not what will be done with it. Someone may declare a desire to be President but who knows what he or she will do once they succeed?

Maybe it is the difficulty of determining what drives somebody that shifts the discussion to what he or she is supposedly driving toward, like a position of power, celebrity, or respect. With all the skill and assistance the ambitious architect has to cultivate his or her public persona, it is easy to get sucked into the ambition effect. The buzz of excitement generated around any given architect’s accomplishments makes it seductive to aspire to that level of power or fame. We would suggest that wanting power or fame misses the point that architecture offers much more. For one thing it ‘breeds other riskier forms of conquest’, as Diller suggests. In fact, this myth of ambition so thoroughly runs through the field that it functions in place of an end goal itself, which Mark Wigley explains in ‘Mutations of Fame’. Being in contact with celebrity is increasingly the organizing principle of the academy, determining staffing, the transfer of knowledge, and the ambition of students – an all-engrossing economy that mirrors the organization of the architecture office.

That said, this issue is not about proposing to expand our ambitions beyond power and fame. Instead, it examines how much our ambition has advanced as a result of the field having more of both. In their respective interviews, Alejandro Zaera Polo and Bjarke Ingels talk about power and celebrity not as goals to attain but as means. Each in his own way argues that these are newly available channels, and without swimming in them it would be impossible for the architect today to realize a good (or ‘super cool’) building. In ‘The Knowledge’, Keller Easterling observes that they provide access to a feedback loop of give and take. As a public figure, the architect gives knowledge. In turn the architect takes back information about the dynamics of political influence. In recent years we have seen that the ambitious architect uses this information to refine his or her tactics to then pursue even bolder projects: in other words, power and celebrity are sources that strengthen one’s means. Moreover, they allow the architect to act as an intellectual. In a position of power or celebrity the architect shares and acquires knowledge, not just to better maneuver politically, but also to gather information about the actual consequences that our field’s actions have in the public domain. Who knows what the ambitious will do with this knowledge, but we hope you will begin to share their informed sense of purpose as you read Ambition.

-Jeffrey Inaba

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25 March 2008
C-Lab's Jeffrey Inaba and Jesse Seegers recently interviewed robotics engineer, artist, and Berkeley professor Ken Goldberg for an upcoming issue of Volume on the theme of "Content Management." C-Lab is currently researching philanthropy, so we were very interested to hear about Goldberg's "Donation Dashboard" project, a online filtering program that recommends philanthropic causes suited to your preferences.
[Donation Dashboard]

21 February 2008
Jeffrey Inaba's Spring 2008 GSAPP Master of Architecture studio is preparing a master plan proposal for the 20km x 20km Saemangeum site in South Korea to explore the potential of large-scale infrastructure projects to serve as a catalyst for the national economy. The study involves studios from 7 invited schools, Columbia University, Yonsei University, Berlage Institute, MIT, London Metropolitan University, European University Madrid, and Tokyo Institute of Technology and is sponsored by the Urban Design Institute of Korea. The study was feautred on the front page of the Jeolla Ilbo newspaper on 1 February, 2008.
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21 February 2008
The Chronicle of Philanthropy reviewed INABA/C-Lab's Donor Hall in their January 10, 2008 issue.
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15 February 2008
View pictures from the Volume 13 and Donor Hall launch discussion, hosted by the New Museum.
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8 February 2008
Thanks to the New Museum for hosting a discussion and launch party last night for Volume 13 and INABA/C-Lab's Donor Hall project. Pictures from the event will be posted soon.

6 February 2008
C-Lab has completed an installation, titled Trash, for the exhibition 'World's Away: New Suburban Landscapes' at the Walker Art Center, opening February 16, 2008.
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1 December 2007
C-Lab has collaborated with INABA on a graphic environment for the New Museum of Contemporary Art, New York, which opens December 1, 2007.
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20 November 2007
C-Lab is now accepting applications for internships at its New York office for fall 2007. Interns will be working on Volume Magazine and other C-Lab projects.
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19 October 2007
C-Lab has finished editing Volume 13, on Ambition. The issue features interviews with Momoyo Kaijima, Bjarke Ingels, Charles Jencks, Alejandro Zaera-Polo, Elizabeth Diller, Vincent Gallo, Thom Mayne, Kevin Roche, Philip Johnson, Shohei Shigematsu and Mohsen Mostafavi. There are photos by Todd Eberle, Danielle Levitt, and Doug Aitken and writings by Francesco Bonami, Mark Wigley, Sylvia Lavin, Keller Easterling, and Yehuda Safran, as well as a special 'Alibi' travel guide to Kazakhstan. Watch for the issue on sale in November.
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12 October 2007
C-Lab and Jeffrey Inaba have authored a piece for Urban China on Flushing, Queens and Chinese suburbanism in America. Watch for it soon.

19 September 2007
C-Lab and Volume Magazine sponsored a guest lecture by Michael Hardt (author of Empire and Multitude) at Columbia's Graduate School of Architecture, Planning and Preservation. Images from the lecture will be posted soon.

21 May 2007
C-Lab will be editing Volume 13, on Ambition. 'Instead of dreaming of this kind of stardom as a career goal, architects can seize the current moment when the discipline enjoys heightened interest to embrace other, greater ambitions.'
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2 April 2007
Jeffrey Inaba will give a talk, entitled "Learning From Astana," about urban planning in Kazakhstan at the Canadian Centre for Architecture Thursday 19 April. Strong leadership, the discovery of oil fields, "rush to market" high-end construction, low population, large land area, and weather combine to make Kazakhstan's new capital a lesson in 21st century nation building. Columbia GSAPP's Kazstravaganza Advanced Design Studio will produce a feature on Kazakh urbanism for issue 13 of Volume.

23 March 2007
C-Lab sponsored a lecture by artist/inventor Natalie Jeremijenko at Columbia's Graduate School of Architecture, Planning and Preservation. Watch for work from her to be featured in the upcoming Volume 13.

14 February 2007
C-Lab is in the process of editing the video interviews from Volume 10. For now, check out Francois Roche and Peter Cook in the 'broadcasts' section.

10 January 2007
C-Lab recently finished editing Volume 10: Agitation!
The issue features C-Lab's interviews with Peter Cook, François Roche, Hernan Diaz-Alonso, Rene Daalder, Philippe Parreno, and Cesar Millan, as well as essays by Mark Wigley, Reinhold Martin, David Turnbull, Arakawa + Gins, and much more.
Watch for the issue in late January.

16 October 2006
Jeffrey Inaba presented the project of Volume and C-Lab at 'Discrimination: A discussion on architectural judgment', a debate at GSAPP convened by Cynthia Davidson (Log) about the current state of architectural periodicals. The other participants included Michael Kubo (Verb), Reinhold Martin (Grey Room), and Ashley Schafer (Praxis).